22小節目にBm7-5というコードが出てきます。
fuyusona01.midi
fuyusona01.pdf
\version "2.16.0" \header { title = "最初から今まで(冬のソナタより)" composer = "You He Joon / O Suk Joon" } chExceptionMusic = { <c es ges>1-\markup { \super "dim" } <c es ges beses>1-\markup { \super "dim7" } <c e g b>1-\markup { \super "maj7" } <c e gis>1-\markup { \super "aug" } <c es ges bes>-\markup{\super "m7-5"} } chExceptions = #( append ( sequential-music-to-chord-exceptions chExceptionMusic #t) ignatzekExceptions) global = { \key a \minor \time 4/4 \tempo 4=100 \partial 4. } chordNames = \chordmode { \global % Chords follow here. \set chordNameExceptions = #chExceptions \set chordChanges = ##t s4.d1:m7 g:7 e:m7 a2:sus4 a d1:m7 e:7 a:m a:m d:m7 g:7 c:maj7 f d:m7 e:7 a:m a:m d:m7 g:7 c:maj7 f d:m7 b:m7.5- e:sus4 e:7 d:m7 g:7 c:maj7 f d:m7 e:7 a:m a:7 d:m7 g:7 c:maj7 f d:m d:7 a:m a:sus4 a } right = \relative c'' { \global % Music follows here. \set Score.markFormatter = #format-mark-box-alphabet e8\mf^1( a^3 b |%0 c2~ c8 f, c'^4 d |%1 c4. b8~ b) d,(g^3 a |%2 b2~ b8 d,b'^4 c |%3 \break b4 c8 a~ a4) d,8( e |%4 g4 f) r8 gis,8( a e' |%5 d4 c8 b) r e,( gis c |%6 \break b4._\markup{\italic dim.} a8~a2~ |%7 a) r4 a8^2(\mp b \mark|%8 c c c c~c4 c |%9 \break c8 d4.) r4 g,8( a |%10 b b b b~ b4 c |%11 a2) r4 f8( g |%12 a a a a~a4 a |%13 \break a4 gis8 a ~ a4 b |%14 b4. e,8~e2 ~ |%15 e) r4 a8^1( b \mark |%16 c c_\markup{\italic "poco a poco cres"} c c~ c4 c |%17 \break c8 d4.) r 4 g,8( e'^4~ |% 18 e e^3 e g~ g4 e8 d |%19 c2) r4 a8^1( b |%20 c c c c ~ c4 c^1 ~ |%21 \break c8 d4 e8~ e4 f |%22 e1) |%23 r2 d4\mf^3( e \mark |%24 f8 f f f ~ f e d c |%25 \break b4. b8 c d4. |%26 e8 f e f e d c b |%27 a2^2) r8 a^1( b c |%28 d d d d~ d c b a |%29 \break gis4.^2 gis8 a b4. |%30 d4\<^4 c 8 c~ c d e e~\! |%31 e4) r d\f^3( e |%32 f8 f f f~ f e d c |%33 \break b4. b8 c d 4. |%34 e8 f\> e f e d c\! b |%35 a2^2) r8 a\mf^1( b c |%36 d4 d8 d~ d c b a |%37 \break gis4.^2 gis8 a^3 b4. |%38 b4 c8 b~b4 b |%39 a2\>) r4 d,\!^1( |%40 cis1^2\p) |%41 \bar "|." } left = \relative c' { \global % Music follows here. r8 r4 |% <f,_5 a_3> 1 |% <g_4 d'_1> |% <e d'> << {a1_\markup{\finger 4} } \\ {d2_\markup{\finger 1} cis_\markup{\finger 2}} >> <d,_5 c'!_1> 1 <e_4 gis_2> << {a2._\markup{\finger 2} e4 a2.} \\ {c1_\markup{\finger1}^~ c2.} >> r4 <d,_4 f_2>1 g <c, e> f_2 <d c'> <e d'> <<{a_\markup{\finger 4}_~ a} \\ {d2_\markup{\finger 1} c b c}>> <d,_5 f_3>1 g <c, b'> <f_3 a_2> <d_5 f_3> <b_5 a'_1> <e_4 a_1>2 <e a> <e gis>1 <d c'>2 <d c'> <g_3 b_2> < g b> <c, b'> <c b'> <f a> <f a> <d_5 f_3> <d f> <e_5 b'_1> <e b'> a a_4 <a_4 cis_2> b4_3(cis) <d,_5 c'!_1>2 <d c'> <g_3 b_2>2 <g b> <c, b'> <c b'> <f a> <f a> <d f> <d f> <e b'>1 a2_1 e_2 a,4_5( e'_2 a2_1) <a,_5 e'_2>1 } \score { \new PianoStaff \with { instrumentName = "Piano" } << \new ChordNames \with{midiInstrument = "blown bottle"}\chordNames \new Staff = "right" \with { midiInstrument = "acoustic grand" } \right \new Staff = "left" \with { midiInstrument = "acoustic grand" } { \clef bass \left } >> \layout { } \midi { } }