ディズニーのワンワン物語に出てくる曲だそうです。
lalalu02.midi 
lalalu02.pdf
\version "2.16.0"
\header {
title = "ラ・ラ・ルー"
subtitle = "La La Lu"
composer = "リー&バーグ"
}
global = {
\key c \major
\numericTimeSignature
\time 3/4
\tempo "Tempo di valse" 4=40
}
right = \relative c'' {
\global
% Music follows here.
r8\p g-1( a-2 b-3 c-1 d-2 |%1
e^1 g^2 c^5 b^4 a^3 b^4 |%2
g^2 f^1 e^3 f^4 a,^1 c^2 |%3
<f,^1 as^2 cis^4 e^5>2\arpeggio)_\markup{ \italic "riten" } <ces'!^1 e^3>8\mp( <des^2 f^4> |%4
<d!^2 e^3 g^5> 2_\markup {\italic "a tempo"}) c8^3( d^4 |%5
\break
<a^1 c^2 g'^5>2) e'8^3( f^4 |%6
<b,^1 d^2 e^3 g^5>4 g'^4 a^5 |%7
<g,^1 c^2 e^4 g^5>4\arpeggio e'^4) f4\rest |%8
<b,^1 d^2 e^3 g^5>(\< fis'^2 g^3 \! |%9
\override TextScript #'extra-offset = #'(-2 . 5.0)
<d e^1 g^2 d'^5>-"["\arpeggio d'^5\> c^4 |%10
\revert TextScript #'extra-offset
\break
\override TextScript #'extra-offset = #'(-2 . 5.3)
<f, g^1 b^3>-"["\!)
\revert TextScript #'extra-offset
\ottava #1
<d'^1 f^3 a^5>8 < c^1 e^3 g^5> <b^1 d^3 f^5> <a^1 c^3 e^5> |%11
<g^1 b^3 d^5>4
\ottava #0
r f8^3\mf( g^4 |%12
<c,^1 e^2 f^3 a^5>2) f8^3( g^4 |%13
<b,^1 e^2 f^3 a^5>2\arpeggio) f'8^2( g^3 |%14
\override TextScript #'extra-offset = #'(-2 . 4.9)
<c, d^1 f^2 a^4>4-"[" a'^4 b^5 |%15
\revert TextScript #'extra-offset
\break
<b,^1 e^2 a^5>4\arpeggio f'^3) r |%16
<g^1 b^3 d^5>_\markup{\italic "sosten."} <e^1 g^2 c^5> <d^1 fis^2 b!^5> |%17
<c^1 e^2 a^5> <b!^1 d^2 g!^5> <a^1 c^2 f!^5> |%18
<g^1 b^2 e!^5>\dim r d!8^1 e^2 |%19
f^3[ g^4_\markup{\italic rubato} g^1 c^2] e^3\p f^4 |%20
\break
<d^2 e^3 g^5>2 e8^3( f^4 |%21
<a,^1 c^2 g'^5>2) e'8^3( f^4 |%22
<b,^1 d^2 e^3 g^5>4 g'^4 a^5 |%23
<a,^1 c^2 g'^5> e'^4) g\rest |%24
<bes,^1 d^2 g^5>\mp( f'^4 e^3) |%25
\break
d--^2 e--^4 <bes^1 c^2>-- |%26
<a^1 c^2 e^3 a^5>2.~ |%27
<a c e a>4 r8 c8^1\mf (a'^3 b^4 |%28
<e,^1f^2 c'^5>2) a8^3( b^3 |%29
<eis,^1 f^2 c'^5>2) a8^3( b^3 |%30
\break
<e,^1 g^2 c^5>4)\< <d^2 g^5>( <b^1 e^3>)\! |%31
<cis^1 fis^2 b^5>4\arpeggio_\markup{\italic rubato}( <b^1 f'^2 a^4>) f'8^3\p (g^4 |%32
<c,^1 e^2 f^3 a^5>2) d8^3( e^4 |%33
<as,^1 des^2 f^5>2) e'4^4\espressivo( |%34
<g,^1 c^2>) r8 g^1\<( a^2 b^1\! |%35
\break
f'^3_\markup{\italic rubato} c^1 es^2 c'^5 bes^3^\espressivo as^2 |%36
g4^1) r8 g,^1\>( as^2 bes^3 |%37
<a!^2 c^4>4) r8 a^1\!( c^2_\markup{\italic riten.} g'^3 |%38
\bar "||"
<g,^1 b^2> 4._\markup{\italic "a tempo"}) a8^1( c^2 g'^5 |%39
<as,--^1 b^2>4.)
\slurUp
e8_1( a!_2 d_5 |%40
\break
b8^3[) g^1( a^2 b^3 ] c^1 e^2 |%41
g^4 d^1 g^2 c^5 bes^4 as^2) |%42
\override TextScript #'extra-offset = #'(-2 . 4.9)
<d, e^1 g^3>4-"[" fis^2\< g^3 |%43
\revert TextScript #'extra-offset
<e^1 g^2 d'^5>2\!\arpeggio( c'4^4 |%44
b4^3) e16^5( b^3 a^2 g^1 f^4 e^3 d^2 c^1 |%45
\break
b4^2 a^1) d8^2\p( e^3 |%46
g4.^5) f8^4( e^3 f^4 |%47
<cis^1 e^3>4.) a8^1\mp( d^2 e^3 |%48
g4.^5) f8^4( e^3 f^4 |%49
<cis^1 e^3>4.) a8^1(d^2 e^3 |%50
\break
r8 f^2 a^1 c^2 g'^5 f^4 |%51
e^3 a,^1 b^2 e^5 d^4 a^1 |%52
g4.^2) c,8^1( c'^5 bes^4 |%53
g4.^2) e8^5_\markup{\italic rubato}( b!^2 e^5 |%54
a,^2_\markup{\italic "a tempo"}g^1 a^2 b^3 d^1 e^2 |%55
g^4 d^1 e^2 g^1 a^2 b^3 |%56
\break
d4.^5)d8^5( c^4 b^3 |%57
d4.^5)c8^4( b^3 e,^1 |%58
g4--^5_\markup{\italic cresc.}) f--^4 e--^3 |%59
d--^2 e--^3 c--^1 |%60
<a^1 c^2 e^3 a^5>2.\f~\arpeggio |%61
\break
<a c e a>4 r8 c^1( a'^3 b^4\> |%62
<e,^1 f^2 c'^5>2) a8^3\!\mp ( b^4 |%63
\override Hairpin #'to-barline = ##f
<eis,^1 f^2 c'^5>2) a8^3\<( b^4 |%64
<e,^1 g^2 c^5>4\! g^2 e^1) |%65
<cis^1 fis^2 b^5>\espressivo\mf a'^4 f8^3_\markup{\italic espressivo} g^4 |%66
\break
<c,^1 e^2 a^5>2.~ |%67
<c e a>2 d8^3\p( e^4 |%68
<a,^1 des^2 f^5> 2.) |%69
r4 <as^1 e'^5>_\markup{\italic riten.}( <b^2 d!^4> |%70
<g^1 c^3>4._\markup{\italic "a tempo"}) d'8^4( b^2 c^3 |%71
\break
\set PianoStaff.connectArpeggios = ##t
<a^1 cis^2 e^3 gis^5>4.\arpeggio) a'8^5( fis^3\< g^5 |%72
<g,^1 bes^2 d^4>4.\!) es'8^3( c^1 d^2 |%73
<e!^1 b'!^5>4.)\> c'8^3( a^1 b^2 |%74
<d,^1 g^2 a^3 d^5>2.\!\p~) |%75
\hideNotes
<d g a d>2. |%76
\unHideNotes
<fis'^3 a^5>2.\pp\fermata |%77
\bar "|."
}
left = \relative c' {
\global
% Music follows here.
c,4_5 ( <e_4 c'_1>2) |%1
a,4_5 ( <e'_2 g_1>2 ) |%2
d4_5 ( <f_4 c'_1>2 ) |%3
g,8_5( f'_1 b_3 g'_1) r4 |%4
c,,8_5( g'_2 b_1 e_2) r4 |%5
g,,8_5( f'_1 b_3 f'_1) r4 |%6
c,8_5 g'_2 b_1 e_2 r4 |%7
bes,8_5 (as'_1 c_2 e_1
\change Staff = "right"
g4)_1_\markup{ "r.h" } |%8
\change Staff = "left"
c,,8_5 ( g'_2 b!_1 e_2 ) r4 |%9
a,,8_5 (g'_1 e'_2 g_1 ) r4 |%10
d,8_5( a'_2 c4_1) r |%11
g,8_5 (f'_1 b4_2) r |%12
d,8_5( a'_2 c_1 f_2 )r4 |%13
cis,8_5 (a'_2 cis_1 e_2) r4 |%14
c,!8_5 ( a'_2 c!_1 f_2 ) r4 |%15
\break
<g,_5 f'_1>2\arpeggio
\clef treble
a'4_3~ |%16
<f_5 a_3 c_1> <bes,_5as'_1> <d_4 f!_2 a!_1>
\clef bass |%17
<gis,_5 fis'_1> es'_2( des_3) |%18
c,8_5[( g'!_2 b_1 c8*1/2_2]
\change Staff = "right"
\hideNotes
c'16\rest
\unHideNotes
\change Staff = "left"
r4 |%19
<bes,,_5 as'_1> 2*3/4
\change Staff = "right"
\hideNotes
c''8 )
\unHideNotes
\change Staff = "left"
r4 |%20
c,,8_5( g'_2 b_1 c_2) r4 |%21
g,8_5( f'_1 b_3 f'_1) r4 |%22
c,8_5( g'_2 b_1 e_2) r4 |%23
g,,8_5( f'_1 b_3 f'_1
\change Staff = "right"
b4_"r.h.")
\change Staff = "left"
|%24
c,8_5( bes_2 d_1 bes_4 a'4_1) |%25
f4--^3 g--^1 e--^3 |%26
\dynamicUp
f,,8_5( c'_2 g'_1\< f_4 a_2 c_1 |%27
d_2 e_1 \! c4_3) r |%28
\clef treble
f8_5( a_3 c2_1)\> |%29
fis,8_5( c'_2\!dis2_1) |%30
b4_1 e,_3( g_1) |%31
\clef bass
<e,_5d'_1>4(\arpeggio <a_5 g'_1>)\arpeggio r |%32
d,8_5( c'_1 f _3a_1) r4 |%33
g,,8_5( f'_1 b_3 f'_1) r4 |%34
c,8_5( g'_2 c2_1) |%35
bes,4_5( as'_1) <es_5 des'_1>|%36
as,8_5( es'_2 c'4_1) r |%37
g8_5( d'_2 f4_1) r |%38
c,8_5( g'_2 d'2_1) |%39
g,,8_5( f'_1 b2_2) |%40
c,8_5 g'_2 b2_1 |%41
\clef treble
<bes_5 as'_1>2 r4 |%42
c8_5 g'_2 b!2_1 |%43
a,8_5 e'_2 g2_1 |%44
\clef bass
d,8_5 a'_2 c2_1 |%45
g,8_5 f'_1 b4_2 r |%46
d,8_5 a'_2 c2_1 |%47
g8_5 b _3f'2_1 |%48
d,8_5 a'_2 c!2_1 |%49
g8_5 b_3 f'2_1 |%50
d,4_5 c'_1 r |%51
g_5 ( f'_1)r |%52
\clef treble
e_4( b_1) <es_5 bes'_1> |%53
<d_5 a'_2>( c'_1) g,_2 |%54
\clef bass
c,_5 ( <g'_2 b_1>2 ) |%55
g,4_5 ( <g'_2 b_1>2 ) |%56
c,4_5 ( <g'_2 b_1>2 ) |%57
g,4_5 ( <g'_2 b_1>2 ) |%58
c,8_5( g'_3 bes_2 c_1 e_4 g_2 |%59
bes4_1) r g,_1 |%60
f,8_5( c'_2 g'_1 f_4 a_2 c_1 |%61
d_2 e_1 c2_3) |%62
\clef treble
f8_5( a_3 c2_1) |%63
fis,8_5( a_3 dis2_1) |%64
<g,_4 b_2>2 r4 |%65
<a,_5 g'_1>2 \arpeggio r4 |%66
\clef bass
d,8_5( c'_1 f_3 g_2 a4_1) |%67
\clef treble
b8_1( g_3 a4_2) r |%68
\clef bass
g,,8_5( f'_1 b_4 e_2 f4_1) |%69
g,2.--_5 |%70
c,8_5( g'_2 e'4_1) r |%71
fis,8_5\arpeggio( c'_2 e4_1) b,--_5 |%72
es8_5( bes'_2 d4_1) r |%73
g,8_5( b_2 f'4_1) r |%74
\slurDown
\override Slur #'positions = #'(0 . 0)
c,_5( g'_2 d'_1 |%75
\change Staff = "right"
e_3 a_2 d^1_"r.h") |%76
\change Staff = "left"
c,,,2._5_\fermata|%77
}
pedal = {
s2.\sustainOn s2.\sustainOn s4\sustainOn s2^\markup{\italic sim.} s2. s2.
s2. s2. s2. s2. s2.
s4\sustainOn s2\sustainOff s2.\sustainOn s4\sustainOn s2^\markup{\italic sim.} s2. s2.
s2\sustainOn s4\sustainOff s4\sustainOn s4\sustainOn s4\sustainOn s4\sustainOn s4\sustainOn s4\sustainOn s2.\sustainOn s2.\sustainOn
s4\sustainOn s2^\markup{\italic sim.} s2. s2. s2.s2.\sustainOn
s2\sustainOn s4\sustainOn s2.\sustainOn s2.\sustainOn s2.\sustainOn s2.\sustainOn
s4\sustainOn s4\sustainOn s4\sustainOn s4\sustainOn s2\sustainOn s2.\sustainOn s4\sustainOn s2^\markup{\italic sim.} s2.
s2. s2. s2. s2. s2.
s2. s2. s2. s2. s2.
s2. s2. s2. s2. s2.
s2. s2. s2\sustainOn s4\sustainOn s2\sustainOn s4\sustainOn s2.\sustainOn s4\sustainOn s2^\markup{\italic sim.}
s2. s2. s2. s4 s4\sustainOff s4\sustainOn s2.\sustainOn
s4 s2\sustainOn s2.\sustainOn s4\sustainOn s2^\markup{\italic sim.} s2. s2.
s2.\sustainOn s2. s2.\sustainOn s4\sustainOff s2\sustainOn s2.\sustainOn
s2.\sustainOn s2.\sustainOn s2.\sustainOn s2.\sustainOn s2. s2.
\override Score.RehearsalMark #'direction = #DOWN
\mark \markup { \musicglyph #"pedal.*" }
}
\score {
\new PianoStaff <<
\new Staff = "right" \with {
midiInstrument = "acoustic grand"
} \right
\new Staff = "left" \with {
midiInstrument = "acoustic grand"
} { \clef bass \left }
\new Dynamics = "pedal" {
\pedal
}
>>
\layout { }
\midi { }
}
